Agathe Toman: the artist who feels in black and white
- Text by Alex King
- Photography by Agathe Toman
“I think and feel in black. I’d like the world to be black and white to be honest,” artist Agathe Toman explains.
Agathe’s striking black and white pieces have slowly been blowing up a storm, and now shes’s back for her second solo show, To The M O O N And Back, at Surfin Estate in France’s surf mecca, Hossegor.
“The title To The M O O N And Back comes from the French expression “I love you to the moon and back”, but in a less literal way”, she says. “It’s about feelings, the ones that change your life and yourself – positively or negatively. Those feelings that affect the rest of your existence, the events of the most extreme manner that occur in your life. Each of my illustrations or canvasses represent one thing that changed my life in a way, for good or for ill.”
Agathe first popped up on our radar with her moody skate cruisers and the new show features a variety of boards, each decked out in Agathe’s macabre black and white style. “I love the skateboard as an object in itself,” she explains. “Together with all of the environment and the lifestyle that surrounds skateboarding. Drawing on a deck is always an irregular medium, due to the veins of the wood. No two skateboards will react to ink in the same way.”



Agathe has branched out, using her signature style to create more abstract paintings on a range of mediums, from decks to huge canvases. Designing the cover art for French singer and composer Guillaume Grand’s latest album cover (above), allowed her style to evolve, with a ripped-apart/glitch effect. “I began to draw my “glitch moons” right after I finished his cover,” Agathe explains. “I’ve had an obsession with the moon for a long time, drawing them is a poetic reflection of myself, but I’ve never represented it in this way before. How I do it? It’s the same as the other illustrations I execute with the bic pen, a million strokes per minute!”
Find out more about Agathe Toman or check out To The M O O N And Back at Surfin Estate, Hossegor, 15 April from 19.00.
Latest on Huck
Is the UK ready for a Kabaddi boom?
Kabaddi, Kabaddi, Kabaddi — Watched by over 280 million in India, the breathless contact sport has repeatedly tried to grip British viewers. Ahead of the Kabaddi World Cup being held in Wolverhampton this month, Kyle MacNeill speaks to the gamechangers laying the groundwork for a grassroots scene.
Written by: Kyle MacNeill
One photographer’s search for her long lost father
Decades apart — Moving to Southern California as a young child, Diana Markosian’s family was torn apart. Finding him years later, her new photobook explores grief, loss and connection.
Written by: Miss Rosen
As DOGE stutters, all that remains is cringe
Department of Gargantuan Egos — With tensions splintering the American right and contemporary rap’s biggest feud continuing to make headlines, newsletter columnist Emma Garland explains how fragile male egos stand at the core of it all.
Written by: Emma Garland
Photo essay special: Despite pre-Carnival anxiety, Mardi Gras 2025 was a joyous release for New Orleans
A city celebrates — Following a horrific New Year’s Day terror attack and forecasts for extreme weather, the Louisiana city’s marquee celebration was pre-marked with doubt. But the festival found a city in a jubilant mood, with TBow Bowden there to capture it.
Written by: Isaac Muk
From his skating past to sculpting present, Arran Gregory revels in the organic
Sensing Earth Space — Having risen to prominence as an affiliate of Wayward Gallery and Slam City Skates, the shredder turned artist creates unique, temporal pieces out of earthly materials. Dorrell Merritt caught up with him to find out more about his creative process.
Written by: Dorrell Merritt
In Bristol, pub singers are keeping an age-old tradition alive
Ballads, backing tracks, beers — Bar closures, karaoke and jukeboxes have eroded a form of live music that was once an evening staple, but on the fringes of the southwest’s biggest city, a committed circuit remains.
Written by: Fred Dodgson