A tender window into a modern day Native American community

Photographer Maria Sturm’s new monograph takes an intimate look at the Lumbee people and their quest for recognition.

Over a decade ago, Berlin-based photographer Maria Sturm was chatting to her stepfather, who was living in the USA. The conversation turned to his friend Jay – a fair-haired, blue-eyed member of the Monacan Native American tribe in Virginia, which at that stage as her father explained, was “unrecognised” by the United States’ federal government. Afterwards, as Sturm replayed the conversation in her head, she couldn’t stop thinking about that small detail.

“I just stumbled over this word – I literally stumbled” Sturm recalls. “To my limited knowledge, I was like: ‘If there are Native American, indigenous people in the US, how can they be unrecognised? What does that even mean?’

While the Monacan tribe gained federal recognition in 2018, Jay’s described appearance would also gave her food for thought. “He told me that Jay had blonde hair and blue eyes,” she continues. “I was like: ‘Why?’ In the back of my head, I had this stereotype that I wasn’t even aware of – and I just realised that I had never met a Native American person in my life.”

Six months later, in a search to challenge those imagined stereotypes, Sturm travelled to Pembroke, North Carolina – a small town in Robeson County situated roughly in the middle of the state’s capital Charlotte and the southeast coast of the USA. It’s the home of another Native American tribe that remains unrecognised to this day – the Lumbee Tribe of North Carolina – despite its many attempts to gain official status.

According to the 2000 Census, 89 per cent of Pembroke’s population identified as part of the Lumbee Tribe, and Maria immediately felt their overwhelming presence. “What I noticed and what I found remarkable was that there were many signifiers of Native American [identity] – on the streets, on people’s bodies, their clothing,” she says. “Some are Pan Native – there were many people with dreamcatcher tattoos, which is from the Ojibwe tribe but Europeans and other people can identify [with]. Sometimes there were Native American patterns on the walls, chiefs with headdresses – stuff like that was omnipresent, it was everywhere.”

Native Pride Dr Lynn Jacobs 2016
Reflection 2 2016

Since then, Sturm has regularly been returning to the town, where she has become close friends with many in the community, who invited her into their homes to document their lives and town. Now, a selection of photographs from that body of work is presented in her new monograph You Don’t Look Native to Me – an intimate, up-close-and-personal look at the lives of the Lumbee people.

“The Lumbee people are on the East Coast so they had been in touch with Europeans for much longer [compared to tribes in other parts of the USA], plus they are in the southeast, so they were in the segregated south,” Sturm explains. “So this leads to assimilation, language lost and history lost, because you forget your ancestral language and you stop doing rituals that are important to your culture out of fear, plus the fact that it was actually a threat to your life to play out those kinds of things.”

But the merging of cultures and bloodlines also means that many of the Lumbee tribe mostly don’t fit the typical image of a Native American, as many other indigenous people across the continent do not either. The book’s title You Don’t Look Native to Me, is a nod to that fluid identity – a phrase that Lumbee people are accustomed to hearing whenever they leave their small town.

Manny and Courtney 2017
Manny and Courtney 2017

“Many people have green eyes, there are people who pass as Latinx, people who pass as Black, people who pass as white, and of course people who look more Native American,” explains Sturm. “Some have tried to leave and find opportunities elsewhere, but once they left this microcosm [they found it] hard to exist in other places because so often people are like: ‘Hey, where are you from? Where are you really from? You don’t look that way.’ And not having to explain yourself in that community is something that was missed by many.”

It’s that community spirit that makes Pembroke so important for the Lumbee people though the town is a tough place to live. 2021 figures put the median household income at $21,786, while 44 per cent of people living there were below the poverty line, making it one of the poorest in North Carolina. On top of this, being Native American is difficult – across the country those from the community are far more likely to be in poverty and suffer from mental health disorders during their life. Taking pride in their heritage, while being surrounded by others who do so, gives them a sense of belonging despite the generational traumas.

Harpers Ferry 2016

The feeling is perhaps best summed up by Kaya Littletrutle – a local who teaches cultural Native American lessons to young people in the town. In an interview with Sturm, he explains the importance of reengaging with their ethnic and cultural identities for them. “It’s not that the Lumbees and the Natives here lack languages or lack dances and cultural ways – it’s not that it doesn’t exist, it’s just been dormant and now it’s waking up,” he told her. “The Lumbees have so much of it – it’s been clustered for so long, it’s like stuck and congested so now we’ve been working on getting it uncongested.

“What you’re seeing now is that a lot of our young people are picking it up – what I see happening in the next 20 and 30 and 40 years for my different generations to go forward is that our identities is going to be strengthened here,” he continued. “Our culture and out songs, our dances, our indigenous languages, and things like that is a way of empowerment for our people. I guarantee the pictures that you would take then would be different to the pictures you took right now.”

Reggies house 2017 Pembroke
Manny 2017
Kearsey as a vampire 2016
Chief Iron Bears gym Power House 2016
Bo, Daryl, Devin, Chris and Cheenulka returning from the Porch Creek Powwow 2016

You Don’t Look Native to Me by Maria Sturm is published by VOID

Follow Isaac on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Support stories like this by becoming a member of Club Huck.

Latest on Huck

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Black and white image of people in traditional Japanese dress, some holding fans, with dramatic lighting.
Photography

See winners of the World Press Photo Contest 2025

A view from the frontlines — There are 42 winning photographers this year, selected from 59,320 entries. 

Written by: Zahra Onsori

Neon-lit studio with two people in red shirts working on an unidentified task.
Youth Culture

Inside Kashmir’s growing youth tattoo movement

Catharsis in ink — Despite being forbidden under Islam, a wave of tattoo shops are springing up in India-administered Kashmir. Saqib Mugloo spoke to those on both ends of the needle.

Written by: Saqib Mugloo

Two individuals, a woman with long brown hair and a man with dark skin, standing close together against a plain white background.
Sport

The forgotten women’s football film banned in Brazil

Onda Nova — With cross-dressing footballers, lesbian sex and the dawn of women’s football, the cult movie was first released in 1983, before being censored by the country’s military dictatorship. Now restored and re-released, it’s being shown in London at this year’s BFI Flare film festival.

Written by: Jake Hall

Group of young men with graffiti-covered wall behind them.
© David Corio
Music

In the dressing room with the 20th century’s greatest musicians

Backstage 1977-2000 — As a photographer for NME, David Corio spent two decades lounging behind the scenes with the world’s biggest music stars. A new photobook revisits his archive of candid portraits.

Written by: Miss Rosen

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.