A rare glimpse inside Idaho's Nez Perce tribe

Meeting the people — As the first photographer welcomed by the Nez Perce in 100 years, Hunter Barnes remembers his time living among the elusive tribe in Lapwai from 2004 to 2008.

For more than 11,500 years, the Nez Perce tribe have inhabited the Columbia River Plateau of the Pacific Northwest in lands that extend across what is now Idaho, Oregon, and Washington. Their name for themselves is Nimíipuu, which means ‘we, the people’.

‘Nez Percé’ comes from French interlopers who indiscriminately described many indigenous people as having the ‘pierced nose’ of the nearby Chinook tribe. The Nez Perce signed a treaty with the U.S. government to protect their rights and their land – one which Americans broke repeatedly, reducing the reservation to one-tenth of the agreed 7.5 million acres of land. 

Today a federally recognised tribe, the Nez Perce number just 3,500 and live on reservations primarily in Idaho. In 2004, American photographer Hunter Barnes received an invitation to the Tamkaliks Powwow in Wallowa, Oregon, after a friend suggested he visit and see if it might be possible to document the tribe. 

After arriving at the Powwow, Barnes met uncle Irving Waters – a well-respected member of the tribe – who invited him to camp out, then to stay with his family on the reserve. After some time, Barnes was brought to the Sweatlodge – a place few outsiders have ever been, let alone know exist – and was shown the ways of healing and health.

The tribe welcomed him into their ancient ways of life. Never one to rush into a project, Barnes understands the importance of developing relationships and mutual trust, preferring not to take photos until the time is right.

He remembers, “We talked about what I wanted to do but it wasn’t until one day after one of the rounds that they looked at me and said, ‘So when are you going to start taking pictures?’ and I said, ‘I guess now, because you asked.’”

Over the next four years, Barnes would create a series of 56 photographs in Idaho, Oregon, and Washington documenting the Tamkaliks and Looking Glass Powwows, and the Lapwai and Confederated Tribes of Colville Reservations, which have just been collected for the new book, The People (Reel Art Press). 

“I was told by the tribe I was the first to be invited to live with them and document their lives at home on the reservation since Edward S. Curtis,” Barnes says. “They took me in… that’s a big deal. They trusted me just to be there. There were a lot of barriers at first, but rightfully so.”

Living with Nez Perce on-and-off over the years changed Barnes’s life, imparting upon him the wisdom of listening from within. He remembers just as he finished printing the original series, a strange truck pulled up into his driveway. It was his friend Justin, from the reserve. 

“Justin said, ‘I had a feeling I was supposed to come find you now,’” Barnes recalls. “I said, ‘I just finished printing these and have to give them out.’ Justin said, ‘Let me be your messenger. I think you learned something from us: Always use your telepathy.’”

The People is out now on Reel Art Press

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter

 


Ad

Latest on Huck

Neon-lit studio with two people in red shirts working on an unidentified task.
Youth Culture

Inside Kashmir’s growing youth tattoo movement

Catharsis in ink — Despite being forbidden under Islam, a wave of tattoo shops are springing up in India-administered Kashmir. Saqib Mugloo spoke to those on both ends of the needle.

Written by: Saqib Mugloo

Two individuals, a woman with long brown hair and a man with dark skin, standing close together against a plain white background.
Sport

The forgotten women’s football film banned in Brazil

Onda Nova — With cross-dressing footballers, lesbian sex and the dawn of women’s football, the cult movie was first released in 1983, before being censored by the country’s military dictatorship. Now restored and re-released, it’s being shown in London at this year’s BFI Flare film festival.

Written by: Jake Hall

Group of young men with graffiti-covered wall behind them.
© David Corio
Music

In the dressing room with the 20th century’s greatest musicians

Backstage 1977-2000 — As a photographer for NME, David Corio spent two decades lounging behind the scenes with the world’s biggest music stars. A new photobook revisits his archive of candid portraits.

Written by: Miss Rosen

Two surfers riding waves in the ocean, with spray and ocean in the background.
© Maria Riley
Sport

In Queens, local surfers are moulding a neighbourhood in their own renegade images

Rockaway breaks — On a little-known stretch of beach in eastern New York City, an ecosystem of wave catchers, and the local bars and restaurants that fuel them, is seeing a boom. Paolo Bicchieri meets the residents and business owners behind the growing swell.

Written by: Paolo Bicchieri

Graffitied urban wall with three individuals dressed in street wear, one holding a spray can.
Activism

Kneecap describe atrocities in Gaza as “medieval type slaughter” after breaking of ceasefire

Saoirse Don Phalaistín — The Irish rap trio took to X yesterday to criticise the “US-backed” Israeli authorities.

Written by: Isaac Muk

A black and white photograph of a young boy standing on a swing set, with a rugged, dilapidated background.
Activism

Capturing joy and resilience in Istanbul through tumultuous times

Flowers in Concrete — As protests break out across Istanbul, photographer Sıla Yalazan reflects on the 2013 Gezi Park movement, and capturing beauty as the city has undergone economic change and political tension.

Written by: Isaac Muk

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.