A photographic ode to a small Alabaman town
- Text by Isaac Muk
- Photography by Fumi Nagasaka
Just over half a decade ago in 2017, Fumi Nagasaka was in her New York apartment block chatting to her neighbour, when they invited the Japanese photographer to visit their hometown in Alabama. It came at a strange, uncertain time in the US – Donald Trump had just been elected as the country’s President and the United States had never seemed more disunited in recent memory. Having grown up in Japan, Nagasaka realised that her understanding of the country she now called home was limited to its coastal powerhouses, and she wanted to learn more about life in between.
“I had lived in New York for a long time – I’d been to LA or San Francisco, but those are big cities [and] I’d never been to rural America,” she explains. “Then things kind of changed for me just thinking about the world – I was doing fashion [photography] but I was like: ‘Wait, there’s so many other things to see.’”
Up to that point she had built herself a successful career making pictures for glossy magazines including Dazed & Confused and high-end fashion houses such as Louis Vuitton, but she decided to bring her camera along as the pair travelled the near 1,000 miles to Dora – a small city with a population of 2,297 according to the 2020 census. With the Big Apple’s skyscrapers replaced by luscious forestry and detached wooden homes, the visit was eye-opening. “It was very different,” she says. “I started to understand: ‘Okay, this is actually America.’”
While capturing this new side of the USA, she initially found scepticism and resistance to an East Asian woman walking around asking for permission to take photos. “A lot of people never really had the opportunity to see photography or art or fashion, so a lot of people were scared of me taking photos, [particularly] of their kids,” she says. “They didn’t know who I am or what I do – one grandparent thought I was selling pictures to a porn site.”
Then a stroke of luck came when local newspaper Daily Mountain Eagle interviewed her for a feature, and given the chance to explain her work the community started to open up to this outsider taking pictures. Nagasaka quickly developed an affinity with the small town, returning regularly for the next four years and growing lasting friendships with several in the community – particularly members of its younger generation. “I started to go back every year and photograph the same people,” she explains. “Especially young people – the teenagers grew up very fast, so every year when I visited them they were different.”
Now, those photographs are published in her new monograph Dora, Yerkwood County, Alabama. From the local school Homecoming event to hanging out in the homes of her friends – filled with classic Southern regalia and Christian symbols – the pictures are an insight into rural, small town American life. With colour shots mixed with nostalgic black-and-white images, they are also a love letter to the friends that Nagasaka made over her various trips – especially among the town’s youth. Bursting with warmth and empathy, Nagasaka’s shots focus on the shared humanity between her and her sitters, rather than their cultural differences.
The book doesn’t shy away from documenting the town’s often tough econimic conditions. According to the US Department of Agriculture, the highest poverty rates in the country are in the rural South – nearly 20 per cent are considered below the poverty line – and it means opportunities are often limited for young people. The book is closed out by an essay from Diaminh – who has moved to New York to study at Columbia University – where she explains that despite growing up in a single-parent, low-income home, she’s proud to be “Alabama bred, cornbread fed”.
“When she moved here [to New York] I met her and she told me she’s the first person who went to college or reached her stage in education, and she had so much pressure from the community,” Nagasaka recalls. “She talked about how she was poor growing up and what she has had to overcome to get this far, and now she wants to be a politician in D.C – I want to be her supporter.
“Every time I come back from Alabama it was with so much excitement and happiness – like I became a new person,” she continues. “I built a very close relationship with [Dora residents], and visiting makes me very happy – I feel like I’m part of the community.”
Dora, Yerkwood County, Alabama by Fumi Nagasaka is published by GOST
Follow Isaac on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Support stories like this by becoming a member of Club Huck.
Latest on Huck
The party starters fighting to revive Stonehenge’s Solstice Free Festival
Free the Stones! delves into the vibrant community that reignites Stonehenge’s Solstice Free Festival, a celebration suppressed for nearly four decades.
Written by: Laura Witucka
Hypnotic Scenes of 90s London Nightlife
Legendary photographer Eddie Otchere looks back at this epic chapter of the capital’s story in new photobook ‘Metalheadz, Blue Note London 1994–1996’
Written by: Miss Rosen
The White Pube: “Artists are skint, knackered and sharing the same 20 quid”
We caught up with the two art rebels to chat about their journey, playing the game that they hate, and why anarchism might be the solution to all of art’s (and the wider world’s) problems.
Written by: Isaac Muk
The Chinese youth movement ditching big cities for the coast
In ’Fissure of a Sweetdream’ photographer Jialin Yan documents the growing number of Chinese young people turning their backs on careerist grind in favour of a slower pace of life on Hainan Island.
Written by: Isaac Muk
The LGBT Travellers fundraising for survival
This Christmas, Traveller Pride are raising money to continue supporting LGBT Travellers (used inclusively) across the country through the festive season and on into next year, here’s how you can support them.
Written by: Percy Henderson
The fight to save Bristol’s radical heart
As the city’s Turbo Island comes under threat activists and community members are rallying round to try and stop the tide of gentrification.
Written by: Ruby Conway