A glimpse inside a turbulent period in Sri Lankan history

In 2006, Hunter Barnes travelled to the country to document the aftermath of the tsunami, and the devastating impact of an intensifying civil war.

In early spring 2006, American photographer Hunter Barnes traveled to Sri Lanka. He’d gone there to document the devastating impact of the 2004 tsunami that had left more than 35,000 dead – only to arrive as civil war was flaring back up. 

The island nation, which achieved independence in 1948, had been embroiled in war since 1983, when the Tamil people in the north and east began their fight for emancipation from the Sinhalese majority. Although a ceasefire had been established in 2002, there was an assassination attempt on a military general shortly before Barnes arrived.

“You could feel the tension in the air,” Barnes remembers after touching down in the capital city of Colombo after a two-day flight. A friend of Barnes met him at the airport with a warning: it was unsafe to travel at night. They waited until sunrise to make the journey.

“As we drove across to the east, the checkpoints became more prevalent,” Barnes says. “Once we arrived in the eastern province, I realised I was meant to document the lives of the people living through this situation day to day.”

In the new book, A World Away (Reel Art Press), Barnes brings together poignant black and white photographs and handwritten notes from his time on the island with children, families, and humanitarian workers banding together to survive the aftermath of natural disaster and resurgence of war.

Barnes began his work photographing a school for orphans. At the time he was shooting, only 200 of the 700 students made it in due to a military outbreak on the street. But those who arrived were excited to be photographed and share their stories. 

Barnes then visited refugee camps funded by the Tamil Rehabilitation Organisation, where people lived in huts made of sheet metal with palm roofs. These huts soared to harrowing temperatures under the equatorial sun. Water and rice were trucked in periodically to the camps.

The photographer noticed things were going from bad to worse. “The tsunami destroyed so many things: families, homes and resources. There was a shortage of food, the fish in the ocean were greatly affected. The drinking water from the many of wells became unsuitable to drink,” Barnes says. 

“During the time of the cease fire there was a focus on rebuilding. When the war began again much of what was being rebuilt was destroyed. As more time went on and the war started its resurgence the camps population greatly increased as well as the military presence in the area.”

With the conflict escalating, Barnes had to leave sooner than he planned but he continued to make work, photographing the military, the fishermen, then families, and children he encountered in order to share their story. 

With the first open elections soon to come, the violence was escalating. Bombs were getting closer and a girl Barnes knew was shot in the street. Just before he left the country, a preacher said, “Twenty–thirty years ago, Sri Lanka was considered ‘The Pearl of the East.’ Now it’s considered ‘The Hell of the East.’”

A World Away is out now on Reel Art Press.

Enjoyed this article? Follow Huck on Twitter and Instagram


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.