A 43-hour train journey through the heart of India
- Text by David Mulnard
- Photography by David Mulnard
For a while, I’d been thinking: which country, to me, represented the complete unknown?
Which country would make me go out of my comfort zone, which country would push me to my limits? The answer, in the end was India. So, I left my home during the December of 2017, arriving in New Delhi with any contacts, or an address. I was lost.
The day after landing I flew to Srinagar in the north of the country, before heading on to Kashmir for a week’s stay. While I was there, my host booked me a journey: a two-day trip from Amritsar to Mumbai. It was here that the real journey began.
The train – the Golden Temple 12904 – arrived in the morning, pulling into the station as the sun beamed down. My carriage was in ‘the sleeper class’ – the section that tends to be used by the country’s middle-class.
As the train started moving and we embarked on our journey, I was able to witness the lively scenes that make up an Indian morning – ordinary occupations for the locals, but a completely new and amazing world for me. Loud noises, dusty roads, hundreds of scenes playing out in front of me.
The train’s average speed was 50 km/h, meaning I was able to step out onto the carriage, look outside and take photos. The gigantic territory that made up my route consisted of numerous small villages, in which life is organised around the railway. For many, the train is an attraction: everybody stops and watches when the iron box passes by.
There were 99 stops in total, meaning countless different faces got on and off throughout the journey. The closer to Mumbai I got, the less space in the carriage I had. All sorts of people, selling all sorts of goods, ran up and down the corridors – shouting “Chai, chai!”, or “Samosas, samosas!”
Indian train journeys are made up of sounds, smells, colours and lots of encounters. My fellow travellers gave me food. They didn’t feel embarrassed to share a seat, or sleep beside each other either. Space on the Golden Temple 12904 is rare – I quickly understood that privacy is a notion that doesn’t exist inside the carriages. It’s part of what makes the trip so special.
After 43 hours, we finally reached Mumbai. However, as everyone left the train, I decided to stay behind and enjoy the quietness they’d left behind. Soon enough, I found myself alone with the cleaners – the last actors to appear on stage in this grand performance. To travel by train in India is to be close to people: it is to feel the energy of an entire country.
See more of David Mulnard’s work on his official website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Baghdad’s first skatepark set to open next week
Make Life Skate Life — Opening to the public on February 1, it will be located at the Ministry of Youth and Sports in the city centre and free-of-charge to use.
Written by: Isaac Muk
Nydia Blas explores Black power and pride via family portraits
Love, You Came from Greatness — For her first major monograph, the photographer and educator returned to her hometown of Ithaca, New York, to create a layered, intergenerational portrait of its African American families and community.
Written by: Miss Rosen
Meet the muxes of Juchitán, Mexico’s Indigenous third gender
Zapotec folk — Having existed since the pre-colonial era in southeast Oaxaca state, a global rise in LGBTQ+ hate is seeing an age-old culture face increasing scrutiny. Now, the community is organising in response, and looking for a space to call their own.
Written by: Peter Yeung
Russian hacktivists are using CCTV networks to protest Putin
Putin’s Jail — In Kurt Caviezel’s project using publicly accessible surveillance networks from around the world, he spotlights messages of resistance spread among the cameras of its biggest country.
Written by: Laura Witucka
Inside the world’s only inhabited art gallery
The MAAM Metropoliz — Since gaining official acceptance, a former salami factory turned art squat has become a fully-fledged museum. Its existence has provided secure housing to a community who would have struggled to find it otherwise.
Written by: Gaia Neiman
Ideas were everything to David Lynch
Dreamweaver — On Thursday, January 16, one of the world’s greatest filmmakers passed away at the age of 78. To commemorate his legacy, we are publishing a feature exploring his singular creative vision and collaborative style online for the first time.
Written by: Daniel Dylan Wray