Photos capturing the final days of British rule in Hong Kong

Photos capturing the final days of British rule in Hong Kong
Birdy Chu reflects on documenting the historic moment in which the territory was formally passed back from the UK to China, and how it reshaped the city.

Towards the end of the year 1996, Birdy Chu was in the freezing cold midst of the Canadian winter when he made the decision to return to his place of birth – Hong Kong. In less than a year, the city-peninsula, which had been a colony of Great Britain since the mid-19th century, was to be passed back to China in what was known as ‘The Handover’.

“The Handover [was] a very crucial year in Hong Kong history – a year of transition,” Chu says. “So I came back here to capture the historic moment.”

He landed in Hong Kong on New Year’s Eve (the final one under United Kingdom rule) to a giant party. Along with the traditional midnight fireworks, the celebrations were infused with a heavy dose of British pomp and circumstance.

“They were all singing ‘Auld Lang Syne’, there was some Scottish dance and there was the firing of cannons and guns at midnight,” Chu remembers.

For the proceeding six months until the official handover on 1 July, Chu documented the people, ceremonies and daily lives of the last days of Hong Kong as a British colony. During this time he worked as a photojournalist shooting for a local newspaper while also using his spare time to scour the streets for shots of the daily lives of turn-of-the-millennium Hong Kongers.

These pictures are collated in the recently published photobook HK1997, which marks the 25th anniversary of The Handover. It also marks the halfway point of the beginning of the “one country, two systems” principle, where the city was to be given self-governance as a special administrative region for 50 years.

The photographs show the impact of 156 years of British rule in reshaping the city. Images of the Queen are found throughout the book, as well as the Union Jack flag and the very evident military presence.

“We still love her [the Queen] very much,” Chu says. Yet her visual presence was to almost completely vanish overnight after the Handover ceremony. He continues: “On the handover day, after the last governor of Hong Kong left the Governor House, all the royal symbols, the British signage and emblems all disappeared.”

The book not only captures a moment in time, but also serves as a reminder of how quickly societies adapt. The turbulent last few years for the city, rocked by protest, division and heavy-handed police crackdowns, belie the sense of optimism found in many of the photographs.

Perhaps most striking in the images, then, is the sense of unity present in the shots. While the UK’s (and the majority of the world’s western nations) and China’s paths have largely diverged in the last 25 years, the photographs show a sense and understanding of common identity on the island. One particularly powerful image shows two children arm in arm trudging through sand, with one wearing a dress printed with the former Hong Kong flag (fitted with a Union Jack in the top left-hand corner), and the other sporting a dress with the new one.

“Some teenagers don’t know what the [old] Hong Kong flag looks like, which is sad,” says Chu. “But this is a record for people so they can find out what Hong Kong looked like before.”

While The Handover was the key event in 1997, much of people’s daily lives went on in the background – something Chu stresses is important not to forget. One picture shows a woman with her hands covering her mouth in shock. “The stock market [crashed], so the housing prices went down,” he says. “So this lady lost lots of money.”

“This was also the news, these [things] also happened in ’97,” he continues. “So it’s not only [about] the politics, but also people’s daily suffering.”

HK1997 by Birdy Chu is published by Zen Photo Gallery. 

Follow Isaac Muk on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter and Instagram

Latest on Huck

A forlorn portrait of a Maine fishing village forced to modernise
Culture

A forlorn portrait of a Maine fishing village forced to modernise

Sealskin — Jeff Dworsky’s debut monograph ties his own life on Deer Isle and elegiac family story with ancient Celtic folklore.

Written by: Miss Rosen

Subversive shots of Catholic schoolgirls in ‘80s New York
Culture

Subversive shots of Catholic schoolgirls in ‘80s New York

Catholic Girl — When revisiting her alma mater, Andrea Modica noticed schoolgirls finding forms of self-expression beyond the dress code. Her new photobook documents their intricate styles.

Written by: Isaac Muk

We need to talk about super gonorrhoea
Activism

We need to talk about super gonorrhoea

Test & vaccinate — With infection rates of ‘the clap’ seemingly on the up, as well as a concerning handful of antibiotic resistant cases, Nick Levine examines what can be done to stem the STI’s rise.

Written by: Nick Levine

5 decades ago, Larry Sultan & Mike Mandel redefined photography
Photography

5 decades ago, Larry Sultan & Mike Mandel redefined photography

Evidence — Between 1975 and 1977, the two photographers sifted through thousands of images held by official institutions, condensing them into a game-changing sequence.

Written by: Miss Rosen

Warm portraits of English football fans before the Premier League
Culture

Warm portraits of English football fans before the Premier League

Going to the Match — In the 1991/1992 season, photographer Richard Davis set out to understand how the sport’s supporters were changing, inadvertently capturing the end of an era.

Written by: Isaac Muk

Tbilisi nightclubs to reopen for New Year’s Eve after 40-day strike
Music

Tbilisi nightclubs to reopen for New Year’s Eve after 40-day strike

Dancefloor resistance — Georgian techno havens including BASSIANI and Left Bank have announced parties tonight, having shuttered in solidarity with protests against the country’s government.

Written by: Isaac Muk

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now