The Travel Diary: Uzbekistan's man-made water crisis captured in beautiful stills
- Text by Marco Barbieri
- Photography by Marco Barbieri
Uzbekistan is Central Asia’s most populous country, a one-party “democracy” for the last 26 years and one of only two double landlocked countries in the world. I initially travelled to Uzbekistan on a journey to reach the Aral Sea, a mass of water that is rapidly receding as the result of one of the biggest (and more overlooked) man-made environmental disasters on earth. But when I got to Central Asia the project quickly evolved into an essay about water, power and how appearances can deceive.
I was confronted with a landscape that was far from the desert environment I was expecting. In the cities, lush gardens and pompous fountains were surrounded by architectural remnants of the Soviet past while clean avenues were dotted by police and military personnel. The land was literally manicured in front of me by men and women cutting it leaf by leaf under the sun.
Nowhere was water scarcity more obvious than in the North-Western part of the country. The area was highly affected by the Soviet government decision to transform Uzbekistan into a cotton heaven in the 1960s: canals were built using the water from the Syr Darya and Amu Darya, the two main rivers of the country, and the land became green in other regions. Cotton exports became so important that the plant made it onto the state emblem. But the upshot of this manmade development is unfolding today as an environmental disaster: the Aral Sea deprived of its water intake is rapidly disappearing off the map.
I am usually interested in places where politics play a fundamental role in everyday life.
But things may be changing now: on September 1, it was announced that the long serving president died. Islam Karimov was in control from 1990 to 2016 and made sure to keep it this way by making opposition impossible, often using radical Islam as an excuse to block down freedom of speech. In 2005, hundreds of people were killed by government troops during a demonstration that became known as the Andijan massacre: protests were a thing of the past.
Marco Barbieri is a photographer based in London.
Latest on Huck
Petition to save the Prince Charles Cinema signed by over 100,000 people in a day
PCC forever — The Soho institution has claimed its landlord, Zedwell LSQ Ltd, is demanding the insertion of a break clause that would leave it “under permanent threat of closure”.
Written by: Isaac Muk
Remembering Taboo, the party that reshaped ’80s London nightlife
Glitter on the floor — Curators Martin Green and NJ Stevenson revisit Leigh Bowery’s legendary night, a space for wild expression that reimagined partying and fashion.
Written by: Cyna Mirzai
A timeless, dynamic view of the Highland Games
Long Walk Home — Robbie Lawrence travelled to the historic sporting events across Scotland and the USA, hoping to learn about cultural nationalism. He ended up capturing a wholesome, analogue experience rarely found in the modern age.
Written by: Isaac Muk
The rave salvaging toilets for London’s queers
Happy Endings — Public bathrooms have long been contested spaces for LGBTQ+ communities, and rising transphobia is seeing them come under scrutiny. With the infamous rave-in-a-bog at an east London institution, its party-goers are claiming them for their own.
Written by: Ben Smoke
Baghdad’s first skatepark set to open next week
Make Life Skate Life — Opening to the public on February 1, it will be located at the Ministry of Youth and Sports in the city centre and free-of-charge to use.
Written by: Isaac Muk
Nydia Blas explores Black power and pride via family portraits
Love, You Came from Greatness — For her first major monograph, the photographer and educator returned to her hometown of Ithaca, New York, to create a layered, intergenerational portrait of its African American families and community.
Written by: Miss Rosen