A gritty portrait of a diverse community in Glasgow

Govanhill Street Level — Photographer Simon Murphy discusses his project which aims to shed new light on the maligned and often misunderstood residents of a vibrant neighbourhood in Scotland.

Nestled in the south side of Glasgow is a community of just 18,000 people, where 32 different languages are spoken. Govanhill, just one square mile in size, is home to 52 different nationalities, making it one of the most diverse communities in Scotland.

“It’s a little bit rough around the edges – definitely got its issues, and has done for many years – but there’s something special about the place, and I think that comes from the mix of cultures,” says 44-year-old photographer, Simon Murphy, who lived in Govanhill for 10 years. “It’s always been a place for immigrants. People bring traditions with them, and ways of doing things… it makes it a really dynamic, exciting place to be.”

Parts of Govanhill are ranked among the most deprived in the country, according to the Scottish Index of Multiple Deprivation, with issues such as fly-tipping, overcrowding and rogue landlords often reported by the media. Murphy’s ongoing project photographing Govanhill’s residents, titled Govanhill Street Level, aims to shed new light on the area: “There’s definitely a kind of celebration of diversity behind [the photos],” he says. “It’s not beauty that I’m looking for, it’s character – a little bit of soul.”  

The photographer, who has travelled the world shooting human interest stories, started the project in 2000 and picked it back up five years ago. He now regularly roams the streets, seeking out inspiration. “If I see someone that interests me, I’ve got to go up and talk to them, and then I’ve got to explain why I want to photograph them, what it is that has moved me,” Murphy explains. “I meet so many interesting characters and, from a photographic point of view, it’s a gold mine.”

Murphy has become something of a local fixture in the community, having captured hundreds of residents over the years. He even puts together newspapers displaying some of the portraits, which are distributed in various Govanhill shops for free, encouraging people to visit the area. “I post little clues as to where they will be, and it’s a game, you’ve got to come and find one,” Murphy says. “People come into the community and it might change perceptions.”

Last year, a series of images from the project were exhibited in shop windows within the area during the Govanhill International Festival via Street Level Photoworks. “It was probably more successful than it would have been in the gallery,” Murphy muses. “That kind of typical exhibition intimidates people. It just felt right to have the pictures in the community.” Another exhibition of the project is set to take place in August.

Govanhill has changed somewhat in recent years. Vintage shops, independent cafes and organic stores have popped up on Victoria Road (one of the main streets running through the community), and more young people have moved in around the area. “It’s definitely got more bohemian,” Murphy says. “And that’s funny, because Govanhill always had a pretty rough reputation. But if you go into Govanhill now, you’ll see all sorts of people, and all sorts of outfits – pretty bold outfits.”

Murphy believes the community’s residents are weary of being maligned and often misunderstood. “When they hear stories in the news about this place, it doesn’t reflect how it feels to us there,” he explains. “Govanhill is full of incredible people with incredible stories. I think that there is a sense of community, and I think that comes from being the underdog.”

Follow Simon Murphy on Instagram.

Follow Claire Hutchison on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


You might like

Man with short dark hair and beard wearing olive green jacket, squinting in sunlight against brick building background.
Culture

Jake Hanrahan: “Boys can cry, but we don’t all fucking want to”

Hard Feelings — In the latest edition of our column on masculinity and fatherhood, Rob Kazandjian speaks to the conflict filmmaker-journalist and Popular Front founder about his childhood, the found family and community at his Muay Thai gym, and the “complete counterculture” of ‘no rules’ fighting.

Written by: Robert Kazandjian

Two magazines with "VOICE" branding - one with white text on black background, another with red oval logo on dark cover featuring partial face.
Culture

A new documentary traces the rise, fall and cratering of VICE

VICE is broke — Streaming on MUBI, it’s presented by chef and filmmaker Eddie Huang, who previously hosted travel and food show Huang’s World for the millennial media giant.

Written by: Ella Glossop

Man sweeping street with broom in black and white image. Stone wall right side, buildings and flagpole in background.
Culture

Capturing what life is really like at Mexico’s border with the USA

Border Documents — Across four years, Arturo Soto photographed life in Juárez, the city of his father’s youth, to create a portrait of urban and societal change, memory, and fluid national identity.

Written by: Miss Rosen

Two costumed figures: left shows person in white dress with colourful ribbons on beach; right shows figure in elaborate costume by yellow vehicle.
Culture

In search of resistance and rebellion in São Tomé & Príncipe’s street theatre culture

Tragédia — A new photobook by Nicola Lo Calzo explores the historical legacy found within the archipelago’s traditional performance art, which is rooted in centuries of colonial oppression and the resilience of people fighting against it.

Written by: Miss Rosen

Black and white collage of people with bright yellow "STREET JUSTICE" text overlaid in centre.
Culture

As Kneecap and Bob Vylan face outcry, who really deserves to see justice?

Street Justice — Standing in for regular newsletter columnist Emma Garland, Huck’s Hard Feelings host Rob Kazandjian reflects on splatters of strange catharsis in sport and culture, while urging that the bigger picture remains at the forefront of people’s minds.

Written by: Robert Kazandjian

Man with glasses and beard sitting in green chair, wearing dark blue shirt and jeans in office or waiting room with wood panelling.
Culture

Alex Kazemi’s Y2K period novel reminds us that the manosphere is nothing new

New Millennium Boyz — Replete with MTV and endless band t-shirt references, the book follows three teenage boys living in 1999 USA as they descend into a pit of darkness. We spoke to its author about masculinity, the accelerated aging of teenagers, and the rebirth of subcultures in the algorithm age.

Written by: Isaac Muk

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...