Shooting the Graffiti Trucks of Paris
- Text by Dr. Oli Mould
- Photography by Marc Vallée
The modern day metropolis is so often pictured as smooth, glossy, fluid, clean and mobile. In high-end time lapse films, airline magazine spreads and endless commercials, the city is pictured as a place where you can move friction-free. Of course, this smooth mobility is only achievable by those rich enough to be able to afford it. Urban infrastructures are elite spaces, and so like the static spaces of the neoliberal city, they attract subversive re-appropriation.
The pictures here highlight how artists have brought the creative activism of subversive graffiti into (or onto) these commercialised infrastructures of urban mobility. As trucks and vans move consumable goods of the elite urban economy around the city, they carry with them the viruses of activism. Like the New York subway trains in the 1970s, the graffiti trucks of Paris are a mobile gallery of graffiti and its affront to the sterile spaces of urban commodity movement.
Graffiti on walls and static spots, as much as they are reclaiming the right to the city, under the rubric of urban neoliberal logics will become ‘no-go’ areas; places that are fiercely marginalised by agents of real estate capital. But graffiti trucks parade the subversive reclamation of space throughout the city, bringing the political act of graffiti to the people.
Marc Vallée is a London-based documentary photographer whose work explores the tension between public and private space in the context of contemporary youth culture. Marc’s pictures, self-published photography zines and photobooks have been published and exhibited worldwide. Grab a copy of The Graffiti Trucks of Paris zine.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Ideas were everything to David Lynch
Dreamweaver — On Thursday, January 16, one of the world’s greatest filmmakers passed away at the age of 78. To commemorate his legacy, we are publishing a feature exploring his singular creative vision and collaborative style online for the first time.
Written by: Daniel Dylan Wray
“The world always shuns”: Moonchild Sanelly on her new album, underground scenes and abortion rights
Huck’s January interview — Ahead of ‘Full Moon’, her most vulnerable project yet, we caught up with the South African pop star to hear about opening up in her music, confronting her past and her fears for women’s rights in 2025.
Written by: Isaac Muk
Krept & Konan are opening an “inclusive” supermarket
Saveways — With 15,000 sq. ft of space and produce from across the world, the store will cater to Black, Asian and ethnic communities in Croydon.
Written by: Isaac Muk
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen